Finally, increasing the Black in your Black channel will produce intense, deep shadows which is what creates the drama in a black-and-white image that most people look for, especially with infrared images. Adjusting your Neutrals will have more of a global effect, lightening or darkening the image overall.

If you add black, you’ll see more detail in the highlights. When adjusting your Whites, reducing black will make the whites pop, but you lose detail. Moving the slider to the right adds more black and moving it to the left reduces the amount of black. Select these from the drop-down one at a time and then move the Black slider to make your adjustments. There’s no right or wrong amount of adjustment here-you’re simply experimenting to find the look that you want. I then proceeded to lighten the Red and Yellow tones in the foliage to make it pop out against the darker sky. I chose to darken the Blue and Cyan tones to add intensity to the sky. Take your time with this step and remember that each color will become a different shade or tone.Īs is the case with Super Color Infrared, we have four color tones, Red, Yellow, Blue & Cyan. Here you’ll begin to create a unique interpretation of your image based on your personal artistic preferences. By moving a slider to the left, you darken that color, and by moving the slider to the right, you lighten that color. These sliders control how each color will be rendered in your black-and-white conversion. Make sure that the image layer is selected, then tap Layer>Duplicate Layer or use the shortcut Ctrl/Cmd + J.This opens the Black and White dialogue with six color channel sliders: Reds, Yellows, Greens, Cyans, Blues, and Magentas. Once your image is open in Photoshop, you’ll see it as a layer in the Layers palette. If Photoshop is already open, you can tap File>Open, then browse for your image.

(By the way, if you convert an image and you don’t like the result, or you don’t see much change, that’s okay you can always find another image and try again!) Subtler infrared images can look nice, too, so if you like the idea of a more restrained effect, simply pick an image with less greenery. Of course, you don’t always need an ultra-powerful IR conversion.

As I mentioned above, photosynthetic organic matter – trees, bushes, grass – all work great for infrared conversions, but other landscape subjects, including mountainscapes and seascapes, tend to produce lackluster results. Not every image is suitable for an infrared Photoshop conversion. Step 1: Pick your image and open it in Photoshopįirst, you must select an image for the infrared treatment.

Infrared photoshop actions